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Bach, J.S. (Woodfull-Harris / Schwemer): 6 Suites for Cello Solo, BWV1007-1012, scholarly edition (cello) Barenreiter

Bach, J.S. (Woodfull-Harris / Schwemer): 6 Suites for Cello Solo, BWV1007-1012, scholarly edition (cello) Barenreiter

$62.45
Code: ZCLBAC6SE
Bach, Johann Sebastian
6 Suites a Violoncello Solo senza Basso BWV 1007-1012
Scholarly-critical performing edition
Six Suites for Violoncello solo
Edition no.
BA 5217
ISMN
9790006566341
Volume / Series
BÄRENREITER URTEXT
Editor
Woodfull-Harris, Douglas / Schwemer, Bettina
Instrumentation of the work
Violoncello
Language(s) of text
German, English
Product format
Performance score, Urtext edition, Anthology, Book, Facsimile
Instrumentation
Violoncello
Comments
Replaces BA 5215 and BA 5216
Binding
in a folder
Pages / Format
VII, 89/80/37/27/42/42/53 S. - 31,3 x 24,5 cm
 
This new edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of Anna Magdalena Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.
Article number: ZCLBAC6SE
Availability: In stock
Bach, Johann Sebastian
6 Suites a Violoncello Solo senza Basso BWV 1007-1012
Scholarly-critical performing edition
Six Suites for Violoncello solo
Edition no.
BA 5217
ISMN
9790006566341
Volume / Series
BÄRENREITER URTEXT
Editor
Woodfull-Harris, Douglas / Schwemer, Bettina
Instrumentation of the work
Violoncello
Language(s) of text
German, English
Product format
Performance score, Urtext edition, Anthology, Book, Facsimile
Instrumentation
Violoncello
Comments
Replaces BA 5215 and BA 5216
Binding
in a folder
Pages / Format
VII, 89/80/37/27/42/42/53 S. - 31,3 x 24,5 cm
 
This new edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of Anna Magdalena Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.
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