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Andrew Carruthers 16.25" viola with poplar back #0715, 2007, Santa Rosa CA USA

Andrew Carruthers 16.25" viola with poplar back #0715, 2007, Santa Rosa CA USA

$22,000.00
Code: VA1625~C111-15

This instrument is part of our fifth annual Contemporary American Makers Exhibition, 2022

A native of Oxfordshire, England, ANDREW CARRUTHERS worked at the Lawrence Berkeley Research Labs in California before deciding to follow his passion for building stringed instruments. Returning to the UK, he studied at the Welsh School of Violin Making and Repair, near Cardiff.
 
After graduating, Andrew joined the restoration workshops of Bein and Fushi in Chicago to apprentice under the guidance of master cello restorer, Russell Wagner.
 
In 1996, Andrew opened his own workshop in Santa Rosa, California, providing restoration services to the violin trade. Regular clients included some of the world’s leading violin dealers.
 
Since 2015, all of Andrew’s work has been devoted to building new instruments for clients across the US and in Europe. Andrew’s particular pleasure in violin making is exploring the tonal possibilities of mixing different woods with different instrument models.

Article number: VA1625~C111-15
Availability: In stock

This instrument is part of our fifth annual Contemporary American Makers Exhibition, 2022

A native of Oxfordshire, England, ANDREW CARRUTHERS worked at the Lawrence Berkeley Research Labs in California before deciding to follow his passion for building stringed instruments. Returning to the UK, he studied at the Welsh School of Violin Making and Repair, near Cardiff.
 
After graduating, Andrew joined the restoration workshops of Bein and Fushi in Chicago to apprentice under the guidance of master cello restorer, Russell Wagner.
 
In 1996, Andrew opened his own workshop in Santa Rosa, California, providing restoration services to the violin trade. Regular clients included some of the world’s leading violin dealers.
 
Since 2015, all of Andrew’s work has been devoted to building new instruments for clients across the US and in Europe. Andrew’s particular pleasure in violin making is exploring the tonal possibilities of mixing different woods with different instrument models.

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